2015 repress >> chesus returns to 4lux with this strong 4-tracker. two bold house cuts in jump! and intergalactic jam. quality club and disco vibes as we can expect from the cardiff producer. with elevation and bootsys nightmare chesus explores more techy territory. a very versatile ep!

for the 8th instalment of to rack & ruin we see the long awaited return of neil diablo this time dropping the evil k neil moniker from used for the first 2 volumes of the edits series. first up on foreva neil skilfully chops up a little known raw 122bpm proto-house disco jam which has sumptuous boogie bassline, choppy stabs and a wonderful soulful female vocal extended and edited for dance floor delight. on the flip is love ma gin. a glittery disco affair with a heavy bassline and glamorous strings which builds and builds. early dj support come from crazy p, pete herbert and emperor machine.

this is potion number two. wilma is a machine made lady designed to drive people nuts with a juicy body of driving bass and fat synths. wilma has a certain taste for the dusty and the raw and like any other girl she just wanna have fun. behind wilma are jeppe willumsen and dan madsen, expert ticklers of copenhagens bulging underbelly and for the first time working on production together. after murat tepelis *drop it like it s hot ep*, potion is proud to introduce 4 tracks by wilma. *fabio* has be featured in prosumers fabric mix and is now ready to be unleashed to the dancefloors, alongside three strong, brave and moving companions. enjoy.

more quality deep nyc house sounds from 1992 (!) from the underrated yet mighty wayne gardiner aka classic man. two dope mixes of 5th street orchestration feature and bear all the hallmarks of gardiners understated, subtle funk. jazzy keys, plucked strings, deep as deep pads and some serious peech boys channeling take us deep into the new york night and straight to that after hours spot that weve always dreamed about! pure class!

crazy power house tunes ... great!

the super disco edit team have pulled out all the stops on this super un-issued 1979 disco dancer from the stable of world renowned musician stu gardner. here he teams up with the beautiful ms irene cathaway to bring you a unique slice of disco madness. pulling away from too much disco cheese and sleaze mr gardner kills it with some organ work like no other disco ‘12! a 6 minute party jam, with those lovely disco drum breaks towards the end. but hold on, flip it over to get another lovely un-issued feel good track called he can ring my bell, dropping like an emotions out take!. so two previously un-issued tracks, in a 350grm customized disco sleeve, with inner. this is limited once again,with a no repress policy.

this one is a taste of things to come from the clekclekboom camp, a ready to use various cuts ep made by deejays for deejays. the label say -a solid piece of wax with different weapons including already known ccb producers and extended family. for this first volume, french fries teams up with nsdos on a hypnotic jam, bringing chicago s percussive legacy in a 90 s nyc ballroom. then we got aleqs notal going deep with a new batch of his lunar material where tripping synths meet spaced out hi-hats. on the flip jean nipon provides his drummer background to display some infectious rhythms colliding with a shuffling syncopated bass, while barbara ford takes us through a heavy mesmerizing acid jam tunnel… overall a deep and yet club-material experience representing perfectly what clekclekboom has to offer today.-

r&s new boys also, appleblim (laurie osbourne) and second storey (alec storey) continue pushing their creative boundaries to the limit with this second installment of an ep trilogy. formation picks up the thread from ep01, another spaced-out jam crammed with swooning pads and pulsing subs. while on the flip rant check pts. 1&2 serrated p-funk bass and stuttering percussion flash by in ever more intense waves over the course of 12 lysergic, dancefloor pinning minutes.also is pan genre, pan generational, emotive electronic music at its best, truly something special and a fine addition to r&s rich heritage of forward thinking dancefloor sonic artistry.

brighton s ever-cultured black key label pushes on with another house connoisseur for its next release, namely the venerated scotland-based deep house producer brad peterson. opening up the ep is -monsoon- a nice and propulsive house jam that journeys through deep space with infectious drum hits and radiant synths fleshing out the rubbery groove. -sit back- is a more reflective and sombre cut, with wallowing, liquid chords draped over a ponderous, snaking bassline. the classy, cultured work continues on closer -cloud remedy- with its reverb coated hits, decisive drums and carefully spraying, ever shifting synth patterns. classic but not overly reverential of the past, it s a beautifully musical bit of deep house with gently tumbling, starry night sky melodies to die for.

after the first collaboration on samuel deep s native tribe ep, these infamous jungle brothers decided to do a full ep together. when together they go by ingi visions and have a unique heavy underground sound made for dancefloor destruction. the -get slapped- ep features two solo tracks as well wich really represents their own styles. u can expect a lot more music from the brothers in the future

broken beat ep multicolore, monomite voyage entre jazz, funk, uk bass dans un univers résolument house. chaque titre de cet ovni dans le monde de la house, décrit sa vision d’un état en rapport avec l espace, le temps, le corps et l esprit. a l auditeur d y faire les associations qu il veut dans une salle obscure, tout en dansant sur sa rythmique frénétique lié à sa passion première, la ligne de basse. ce n’est pas un hasard si les quatre concepts qui forment l’ep sont directement connectés à l’univers de la danse. cet ep a été écrit autant pour l’esprit que pour le corps, avec un morceau clin d’œil à la communauté de house dancers parisienne qui se réunit une fois par mois au travers des évènements tap water jam. arrivée de ce vaisseau rempli de danseurs le 16 février.

for those turned on by the far-sighted, sci-fi inspired sounds of detroit deep house and techno, this ep from michael zucker s finale underground imprint (an offshoot of his finale sessions label) should be an essential purchase. with the likes of patrice scott, keith worthy and luke hess involved, you d expect the quality threshold to be high. it is, of course, resulting in a quartet of killer tracks. hess hypnotic techno jam -tolox- is a definite highlight, though it pales in comparison to the analogue futurism of keith worthy s brilliant -cyclops-. best of all, though, is scott s -journey into the unknown-, which bobs, weaves, bubbles and spits to the rush-inducing deep house sound of undulating synthesizer melodies and classic, transmat-style motor city rhythm

following his appearance (albeit in remixed form) on the debut 12- from keyboard masher s pleasure unit imprint, norwegian eccentric skatebard is given the honour of releasing the label s second ep. apparently all three tracks are vintage cuts from the archive, previously unheard but original recorded straight to tape in his home studio. there s naturally much to enjoy, beginning with the scandolearic-goes-rave synth-house madness of -react 2 rhythm- - all urgent, swirling beats, epic synthesizer melodies and mid- 90s us garage influences. there s more surging, nu-disco goes-house fare to be found on -it goes on & on (the bassline)-, while -pingu- is a joyous chunk of chugging scandolearica blessed with tactile shaker percussion and a jaunty, rock solid synth bassline.

brooklyn newcomer j. albert preps his long awaited solo debut for australian label cult trip. his first offering: vertigo contracto, a cut-throat late night jam, showcases an onslaught of violent stabs which override intricate hi-hat work and a menacing kick.

another rare nugget culled from west ends incredibly influential back catalog. theres never been someone like you is a smoothed out soulful disco jam and a paradise garage classic! produced by the mighty kenton nix whose credits include working on records for taana gardner, gwen mccrae and the treacherous three among many others and featuring the exceptional vocal talents of underground soul singer bobby youngblood.

another classic from the west end archives! forrrces keep on dancin from 1982 was a huge record across the board from bronx block parties to the paradise garage in nyc and dj harveys moist nights in london town, its popularity was bolstered by a fierce francois k dub mix on the b-side that stripped the record right back to it s most basic elements with a healthy dose of reverb assisted psychedelia thrown in for good measure! this killer cowbell led boogie jam has always been a big hit with disco freaks and continues to sound fresh some 30+ years later even making its way into veteran uk dj and music historian sean ps 100 boogie essentials 1980-1984 list. high praise indeed!re-mastered from original tape transfers, re-pressed and made available again for 2015 in conjunction with west end records, new york city.

opening up with the deep space atmospherics of quiet life the album immediately transports you to another world. the title track is then a melodically lush and uplifting affair with curious synth patterns ebbing and flowing beneath crisp percussion. tracks like we search for answers combine organic, wooden textures with more synthetic and trippy synth sounds that are as far away from your standard sample packs as can be imagined. across the course of the album there are dark, moody and emotive pieces like worship (previously released in extended form on the mdl02 single) featuring qzen who reads a poem by patience agbabi in tantalising fashion as well as heavyweight, dubbed out techno groovers like shadow theory. make it true (of which seth troxler will be releasing an extended edit on his play it say it label, complete with high profile remixes) is another great collab featuring the vocals of jojo de freq, and the track itself is a harmonious, radiant house jam that is humid and human in equal measure. the otherworldly, snaking feel free again showcases berkson & what s ability to coax alluring emotions out of their machines and closer logan five wraps things up in suitably spangled, textural fashion. despite the fact much of this album will work on a dancefloor in the hands of the right dj, there s an invention and musicality to it that renders the whole thing hugely listenable away from the club. a testament to berkson & what s analogue invention and fluid ideas, keep up appearances really is a master electronic oeuvre.

tito wun and lorenzo merluzzo presents their new 12inch- ep on ava. disco rigido . this project contains the whole range of afro, disco, psychedelic and soul influenced house music. a new producer collaboration is born!

sam irl returns to jazz & milk with his latest *free two grow ep*, two years after his last solo release for the label (*slower bavarian ep*, 2012). he has continued to develop his sample- & analogue synthesizer-based music further, keeping things raw and warm at the same time. the ep starts off with the title track *free two grow*, an mpc live jam built around a hypnotic loop slowly developing into a heavy synth-driven deep house tune.

pablo and shoey return just in time for festival season with 4 new bits for the front of your box. e-man groove is a massive disco-rock jam that could have been sprung from the minds of dem idjut boys, with sympathy for the devil style percussion and wild guitar riffing driving the whole thing. blazing sunshine, meanwhile, is a funky, hammond organ led version of let the sunshine in, a guaranteed hands in the air moment when dropped at the right time. disco treat is more of a modern floor-burner, closer to straight production edit with a bouncing bassline and all manner of whacked out disco sounds in the mix, not to mention breakdowns for days. rounding off the package is some classic funky soul breaks - the lads tear a chunk off bettye lavettes soul tambourine to make play it, break it on down! as sampled on stezos golden era hip hop rocker to the max.

karakul is a new house label focusing on deeper house cuts from around the world.. fist up chilean born stockholm dwelling omar santis

freshly dj sneak, limited coloured vinyl edition

for the latest edition of the intriguing dessert islands discs re-edit series, the label has called upon the well-renowned scalpel talents of german-in-amsterdam marcel vogel, aka em vee. the double denim-sporting eccentric drops another gem in the shape of *white heat shake it out (edit)*, a bouncy and seductive disco chop-job that makes great use of the source materials bustling groove and steamy, spoken word vocals. on the flip, lesser-known re-edit heads papi del pancake and claude von reefer take up the challenge. their *gimme what you got* has a little more deep house shuffle, but retains the key instrumentation and feel of a sumptuous disco-soul jam.

finale sessions is proud to bring another fine release from none other then nick lapian from soul people music fame and amoung other fine labels worldwide . we at finale sessions welcome nick to our family and our system here at finale sessions with his fatastic tracks that s sure to please your ears and we start with the first track and it called -lost days- it has such movement to it with its rolling pads and its systemmatic keywork and deeep basslines is a must haqve for the record bag for sure . then we have -pigment which is a mid tempo dream come true with it acidy pad synthed structure and lush keys and wicked drum work it is 1st hour monster for sure . then last but not least we have -motif- which is peek time killer with its nice key work and its nice pads layering into a nice kick perfect for a b side jam and that what we have for finale sessions 023 we hope you enjoy the next generation from the forward thinking vault.....we want to thank you for the ongoing support .....love finale sessions god bless you

the index expands into its fourth chapter with a rich collection of tracks from key label artists marcel fengler, thomas hessler, echoplex and vril. label co-ordinator marcel fengler drops scion on the a1, a non-typical, deeper house-influenced jam with a floating, mind-melting soft-focus. abstract, crafty techno meets classic sunday-afternoon vibes in this unique offering. after his wonderful 4-tracker on imf003 promising talent thomas hessler continues his run with the melodic and stark journey track, the escaper. what is initially shrouded in mystery and melancholy opens up into a funky, us vs. uk-styled workout, snapping snares and reduced percussion driving the meandering synth theme. echoplex, who graced imf002, also returns with a suitably trippy and percussive number, entitled the relapse. building into a bleepy, freaky, acidic killer, complete with some cleverly deployed rave vocal samples, filtering in and out of the fluffy aesthetic, the long-serving polish master is still on top form. going for impact and stand-out sound design, vril offers thronwagen, a mesmerising arrangement of synth layers, classic techno stabs and overlapping themes. already well-known for his powerful drums and bottom end control, this more musical piece goes a long way to showcase some of the german producers many other talents.

madrids synth alien returns with a fresh ep out on cyber dance records entitled *stellar walker* that shows off his spaced-out and italofied influences in just the manner we have now come to expect from that label - slow-motion chugging synth workouts that are rich in atmosphere, confident in pace and arrangement and most importantly jam-packed with heavy riffing and piercing melodies from start to finish.

docile recordings is an independent artist label that chooses to follow its own identity. docile works to describe the beauty of our existence and depths of our depravity. these tracks represent a struggle to preserve a time and place into the grooves of the only medium that can accurately display our craft. docile is vision kept alive by good will and loyal service. docile recordings number twenty five starts with a soulful bop stumbling around nonsense words that form rhythm in an upbeat minimal jam. track two spirits a moving melody through random digitals and walls of harmonic hypnotics. track three has a childlike appeal with its cheap keyboard and boisterous synth knocking an easy melody through moments of naive transcendence. track four lumbers with a simple sterile funk thats pulled along by a masochistic chant. the names of these tracks are listed below.

collab between creme organization and l.i.e.s. featuring six tracks by legowelt, randomer, simoncino, innershades, ron morelli & wilie burns.

berkson & what are next up to release on seth troxlers acclaimed play it say it with make it true feat. jojo de freq, a harmonious, radiant house jam with a sharp kick, acid tinged bassline, sultry vocals and smooth synths. unsung hero luke solomon delivers a remix 4 turnings version turing it into an almost new track with a grooving bassline, funky melody, spoken vocals and prominent hats. legend larry heard aka mr fingers heads up the b-side, with his psychedelic jungle mix doing just it says.

the third album from public enemy - originally released in 1990 - back on heavyweight 180 gram

muddy waters ep, the second release from trust, comes from the duo us. trust, cocoon artist julien brachts own label, engraves 3 tracks on wax that present noise as original as can be. the title track by the duo us, namely louis mcguire and markus nikolaus a.k.a. cunt cunt chanel, is a straight-up soulful blend thick with the commanding charm of markus velveteen vocal underpinned by mcguires pulsating beat-as hypnotic as it is powerful. juliens space is heaven rmx captures the hard, dry sound of a live-jam between the pair, whilst his heady trust mix promptly quashes any doubts left hanging. trust us.

inkswel returns to faces with a steady swinging right hook mini ep after recent outings on wolf music, rush hour store jams, people must jam, omega supreme, dopeness galore and city fly records.

ronald burrell s reputation as deep house royalty has long been solidified throughout the years having released on many legendary labels since the late 80 s including nervous, nu-groove, strictly rhythm & many more. working both solo and alongside his brother rheji his output has always caught the interest and ears of dance music aficionados world-wide with a heady mixture of gospel, soul / r&b, jazz, & garage heavily informing his sound. surprising as it is, -it s a boy- was never released, only ever existing as a test pressing! the 4 track ep takes in all the musical influences listed above and flips them into some seriously deep territory. opener -journey- is an epic jam punctuated by an 808 cowbell, beautiful pads, strings and ronald s voice asking us to join him on a journey through our own minds. second cut -feelin jazzy- picks up the pace a little, a stripped back rhythm blessed with some choice, chopped up jazz samples and vocal stabs keeps things moving in the right direction. over on side-b we are treated to the deepest groove of -bedtime story-, which has all the trademarks of a classic burrell production, soulful vocals, melodies and crisp drum programming. closing track -the crib- rounds things with off with a stomping church inspired organ groove, an up-lifting end to the ep. as mentioned above, this is the very first time this underground house classic has ever been released! this record is a real collectors piece and has commanded collectors prices on-line in the past, a real rarity. it has been re-mastered and re-pressed in conjunction with ronald burrell from his original dat tapes and all original label artwork has been preserved.

red rack em is a name well known to wolf fans as he launched the first wolf white release with his deep house classic in love again. he is a master at reworking dusty grooves into peaking house bangers. that is the best way to describe this ep too. do or die is a straight up peak of the night disco jam. big sample, big bass, big track. ooh ooh ooh leans on the soulful side of his sample selections and its wonky but funky composition never fails to turn heads. the final track live at music hall is straight up deep. so, something for everyone, no messing.

robert crash s ifm partner marcello napoletano returns to his michael ferragosto alias who has seen prior releases on steve pointdexter s muzique records with a new five track ep. as with all of the other dog in the night releases, this 12 is food for the working dj. true to form beating chicago jack tracks, twisted acid cut ups, and slam dancing warehouse grooves that will get the pit started at your next jam. now get ready to dive in and slamjack!

uncanny valley and permanent vacation are joining forces for an uncanny vacation! there has always been a lively exchange between dresden and munich and both labels are known for releasing a wide variety of music so it was only natural to team up for a joint release. the record starts off with permanent vacation-regular and uk-veteran dmx krew and his “astro logical” which is as sharp and crisp as electro can go. the bass line strikes hard but he also squeezes some great melancholic synth lines out of his machines. after that, uncanny valley’s sandrow m finally gives access to the much in demand live version of “prayervan”, a tune that everybody has been singing along during his live sets. on the flipside, jacob korn (who already released on both labels) hands in “eieiei” which rises on a percussion-heavy drum basement to a discoid house stomper thanks to an irresistible sample straight from an obscure flea market find. last but not least, drvg cvltvre from the netherlands delivers a tropical house jam. “see you again” is riding on a funky disco bass line and creates a warm and cosy atmosphere with a whole bag of sound ideas. alexander dorn aka credit 00 adds his graphical talents to the record’s sleeve with a brilliant tribute to 1990s adventure video games.

know widely for delivering no nonsense dance floor weapons of the highest quality, one records pull out the goods once again with a double hitter from acid mondays. back on board the label since their standout remix of andrade was released earlier this year, this time they offer their unique production skills with schlurptastic and dohec. on the b-side bass culture boss djulz brings two sterling remixes to the table

vinyl only

the krause-care from philpot-ish tones is delivered by soulphiction in the form of five songs that are

fantastic new album of disco, modern soul and boogie from 1978-82 on soul jazz records. the 2x12 inch lp includes a download code.

wayne gardiner is something of an unsung hero in the deep house world. his productions on numerous labels (nervous, strictly rhythm, ibadan etc) under his own name, as classic man, logic, track masters and many more all have the perfect balance of rough and smooth, deep pads, jazzy keys, floating melodies and chopped vocal samples are all underpinned by tough driving beats and percussion creating his trademark sound. the ep features 2 mixes of killer a-side come on, do anything, 2 mixes of the slamming b-side cut i need you so bad and finally the basement jam which rounds things out. 5 tracks of pure 1992 nyc garage, one for true aficionados and house heads!

12 inch lp in silkscreen print sleeve + download code! hello world is the next release of fauxpas musik. it is the album of the young canadian dylan khotin-foote. this summer it was available as a limited mc and now comes as a licensed record. the label 1080p has kindly provided us with the album. the lp comes with a high quality silkscreen cover, download code and there will be a small edition of coloured vinyl. vinyl tastes better

a jam session between herbie hancock and larry heard. this is how the recent salvatore stallones album has been described. words written by the most influential italian reporter christian zingales.. if the matching was not enough. pressing on heavyweight 180 gram vinyl.

rick wade from detroit drops a new ep on modelhart. featuring 2 tracks with deep house. taboo is a uptempo deep jam and kordeography is a slow track with a deep detroit beatdown vibe.

after their featuring on kyle halls boat party ep, the bologna based duo nas1 join the bosconi family with a lush six tracks vinyl strongly influenced by contemporary detroit house. a side starts with the chuggin and moody beat of -black coffee-, then continues with the stomping and sexy midtempo of -i don t mind- and ends with the more mysterious, electro boogie raw jam of -dallas vertical roll-. on the flip we find the slapped roadhouse blues of madturkey followed by the twisted gifted & blesseds re-interpretation of -i don t mind-. the ep ends with the melancholic and soulful textures of the shuffle groover -hoarse presence-. tasty!

• more superb live jams from the project of earwiggles sunil sharpe and defekt
• features unique hand embossed foil stickers
dublin based flanagan and sharpe s live jam project continues to dazzle with four more killer club tracks. as before, this release features a custom foil sticker. limited first run copies so please pre-order to ensure fill

dedicated purveyors of fine house music, system of survival are pietro bingo de lisi and alex carpentieri, resident djs at the bastion of underground ibiza, circo loco, since the party first began over decade ago. s.o.ss musical output has been particularly prolific of late, releasing on labels such as bpitch, freaknchic, tenax and akbal, however it is this their debut release on ibiza imprint vitalik recordings that has perhaps been the most anticipated.

tom findlay (groove armada) und late night tales beweisen wieder einmal geschmack und stilsicherheit. auf spätsiebziger yacht-pop folgt supercooler 80s groove, der sound der post-disco-Ära, als der soul/r&b das synthesizer-zeitalter enterte. wir hören begnadete jimmy jam/terry lewis-produktionen für thelma houston und alexander o neal, wir hören sharon brown in einer produktion der disco-legende tee scott, wir hören die Übergroover mtume und zapp, wir hören die smashhits von donna allen, rene & angela und des timex social clubs, und als exklusives cover hören wir eine superbe version von sugardaddy (tom findlay & tim hutton) des hitklassikers *dont look any further*.
die 3x12 inch lp erscheint als limitierte 180g pressung mit 18 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen.

the first release on freerotation brings together 4 core residents, juju, jordash, move d and soulphiction with the organizer of the festival steevio in a joint project of live hardware jam sessions. the high on wye quintet: 5 men, a modular synthesizer and a mountain of hardware, crammed into steevios bijou studio in the welsh hills for 2 days after freerotation 2012. they had one ambition, to somehow transmute the energy from a weekend of heavy partying and performing, into a live improvised album of tripped out, ambient and deep techno. the result: the hafod jams (in several parts).